aus Meinem Tagebuch, max reger

  • Nosikova offers a major addition to the (recording) catalogue. It is a spell-binding performance. The standard here is of the highest. The many faces of Max Reger (there are more than one might think) are all here. One could potentially think of this as a long sequence of Preludes; or a string of concentrated hits of purest Reger. I simply cannot recommend this set highly enough. I would encourage anyone to lose themselves in this subtle, touching music.: the first disc tends towards 80 minutes, the second a shorter 52. It is clear Nosikova loves this music. Fanfare Magazine, Colin Clarke, July-August 2022

    Fanfare Magazine, Colin Clarke, July-August 2022

  • Aus Meinem Taugebuch or From My Diary, Op. 82 from 1905, may well be the lightest, cheeriest instrumental music he (Reger) ever wrote. In addition to being comprised of sprightly themes, the music is also surprisingly light in terms of density, harmony and structure. Reger managed to curb his enthusiasm for complex chorales and fugues here; even in the slower pieces, there is a lyrical quality which, although not mushy or Chopin-like, is quite attractive. Yes, there are some unusual harmonic touches, but touches only, not heavy-handed complexity, and it works splendidly. This is a fine album in its own right and a triumph for Nosikova. …She plays with tensile strength and emotional commitment, but it cannot be denied that the lightness and glitter she brings to this music are a large part of its success.

    The Art Music Lounge, Lynn René Bayley, 2022

  • Nosikova plays with arresting technical finesse, and a rich, beautiful tone, both most welcome in these late-Romantic works. The cumulative product is highly rewarding, again providing another and most attractive side of Max Reger’s approach to music. The recorded sound is first-rate as well. Recommended both to Reger admirers and skeptics. 5 Stars: Another side of Max Reger, lovingly performed.

    Fanfare Magazine, Ken Meltzer, July-August 2022

  • Ksenia Nosikova plays the music with affection, lightness of touch, and a smile. It makes all the difference. These small character pieces were Reger’s response to those he called “ignoramuses” for criticizing the complexity of so much of his music. This lovely collection makes for very pleasant listening, whether in short snippets or even over a longer span. Virtually every one of the 35 miniatures would be an attractive addition to the piano repertoire. A warm, natural piano sound and informative notes by Marian Wilson Kimber round out this fine set. Nosikova’s ability to depict a wide range of moods and colors in this music makes this a happy recommendation.

    Fanfare Magazine, Henry Fogel, July-August 2022